The Cycles render engine in Blender has a very convenient OSL Shader development and usage workflow.
Shaders can be both loaded from external files or written and compiled directly inside Blender.
Before you begin:
Make sure your Blender scene is set to use the Cycles render engine, in CPU rendering mode, and also check the option Open Shading Language:
To write an OSL shader in Blender:
Write your shader code in Blender‘s Text Editor:
In your object’s material shader graph (Shader Editor view),
Create a Script node:
Set the Script node‘s mode to Internal,
And select your shader’s text from the Script node‘s source drop-down:
If the shader compiles successfully, the Script node will display its input and output parameters, and you can connect it’s output to an appropriate input in your shading graph.
* If your shader is a material (color closure) connect it directly to the Material Output node’s Surface input, is it’s a volume to the Volume input, or if its a texture to other material inputs as needed.
If the shader code contains errors, it will fail to compile, and you’l be able to read the error messages in Blender‘s System Console window:
After fixing errors or updating the shader’s code, press the Script Noe Update button on the Script node to re-compile the shader:
Loading an external OSL shader into Cycles:
Exactly the same workflow described in the previous section, except setting the Script node‘s mode to External and either typing a path to the shader file in the Script node or pressing the little folder button to locate it using the file browser:
V-Ray for 3ds max supports compiling and rendering OSL shaders,
And also offers some handy shaders for download on the V-Ray documentation website. Note: OSL shaders are supported only in V-Ray Advanced and not in V-Ray GPU.
To load an external OSL shader:
For a material (color closure) shader, create a: Materials > V-Ray > VRayOSLMtl
For a texture shader create a: Maps > V-Ray > VRayOSLTex
In the VRayOSLMtl or VRayOSLTex‘s General properties,
Click the Shader File slot-button to locate and load the *.osl file.
Provided that the shader has loaded and compiled successfully,
You will now be able to set it’s custom parameters in its Parameters section:
If compile errors will be found you’l be able to read the error messages in the V-Ray messages window:
To write an OSL shader:
To write a material shader (color closure) create a: Materials > V-Ray > VRayOSLMtl
To write a texture shader create a: Maps > V-Ray > VRayOSLTex
Expend the Quick Shader section of the node’s properties,
And check the Enable option.
Write you’r OSL code, and press Compile.
Provided that the shader compiled successfully,
You will now be able to set it’s custom parameters in its Parameters section:
If compile errors will be found you’l be able to read the error messages in the V-Ray messages window.
Autodesk Maya 2020 & Arnold 6 offer a flexible OSL development and usage workflow.
You can both load or write OSL shaders on the fly, compile, test, and render them,
And also define a shader folder path for shaders to be available as part of your library for all projects.
Steps for using OSL shaders in Maya & Arnold:
Writing an OSL shader or loading it for single use (just the current project):
Create a new aiOslShader node:
Select the new aiOslShader node and in its attributes either write new OSL code in the code OSL Code section, or press Import to Load an OSL shader file (*.osl):
When new shader code is imported, it’s automatically compiled:
I f you’ve written new code, or changed the code it will have to be re-compiled.
In that case press Compile OSL Code:
The code may contain errors, in that case you will see a red Compile Failure message:
You can read the error message in the Maya output window, or in the Maya Script Editor, Correct the code and press Compile OSL Code again.
After the OSL code is compiled successfully, the shader’s input parameters can be accessed in the OSL Attributes section below the code:
Depending on the type of output the OSL shader generates, the aiOSLShader node should to be connected to an input in the object’s shader graph or Shading Group.
* OSL shaders can be surface shaders, volume shaders, procedural textures, texture processors and more..
To Apply the OSL shader to an object as a surface shader, disconnect the object’s current surface shader if it has one,
And then drag and drop the aiOSLShader node from the Hypershade window onto the object.
In the Connection Editor select outValue on the left side (node outputs) and surfaceShader in the right side (object inputs):
When compiling OSL shaders “on the fly” using the above steps, the shader’s input parameters don’t necessarily appear at their intended order that is defined in the shader code.
Installing OSL shaders so they will always be available as custom nodes in the Hypershade library
Create a folder for storing your OSL shaders, and place you OSL shader files (*.osl) in this folder.
Locate Maya’s Maya.env file.
This is an ascii text file containing environment variables that Maya loads at startup.
The Maya.env will usually be located at: C:\Users\<your user>\Documents\maya\<maya version>
Open Maya.env in a text editor and add the following line to it: ARNOLD_PLUGIN_PATH=<path to your OSL shaders folder> for example:
When Maya loads, the MtoA (Maya to Arnold) plugin will automatically compile the shaders that are found in the folder, report about the compilations or found errors in the Maya output window, and create compiled *.oso files for each shader:
The compiled shaders will now be available as custom nodes in the Hypershade Arnold library with the typical “ai” (Arnold Interface) prefix added to their names:
The OSL shaders will be created as nodes with their editable attributes, that can be connected to an object’s shading network graph:
* Connecting the node to the graph is the same as described in the previous part (7)
OSL is an acronym forOpen Shading Language. Developed Originally at Sony Pictures Imageworks for the Arnold render engine, Open Shading language is a C like programming language with which custom material, textures and shading effects can be developed –OSL shaders (*.osl files), that are supported many by popular render engines.
OSL allows development of complex texturing and shading effects using scene input parameters like the shading point’s world position vector, normal vector, UV coordinates etc., and optical ray-tracing functions – BSDF*’s or “Color Closures” as they are called in OSL, like Diffuse, Glossy, Refraction light scattering etc. that can be combined with C logic and math programming.
*.osl files are compiled to *.oso file for rendering.
Most render engines supporting OSL shaders ship with an OSL compiler.
> OSL Shaders for download at the Autodesk Developer Network Github repository: https://github.com/ADN-DevTech/3dsMax-OSL-Shaders
These are the OSL shaders that ship with 3ds max 2019 or newer, and are providing texture and pattern processing tools, but not materials.
* Material shaders or “Closures” as they are referred to in OSL are not supported by 3ds max’s native implementation of OSL.
In general, OSL shaders are supported only in CPU Rendering, but not supported by GPU renderers. There are some attempts to develop OSL support for GPU renderers, But as far as I know they are limited.
Some OSL shaders will work on one or more render engines, and not work as expected on other render engines. the reason being that each render engine has it’s own implementation of OSL.
These differences may show in a different rendered result and also compile failure.
The following example renders show how a combination of two basic OSL shaders iv’e written, one of which is a dielectric material shader, and the other a color/angle blend procedural texture, produce fairly consistent results when rendered in different render engines.
* note the difference in specular glossy roughness interpretation for the same 0.1 value..
> You’r welcome to download these two basic OSL shadershere.
Arnold’s Ambient Occlusion (dirt) node can be used as a procedural mask to create interesting material effects like in this example of paint that is eroded at the model’s bulging areas to reveal metal beneath it.
In this shader’s case the Ambient Occlusion node is connected to the Mix property of an Arnold Mix shader, that blends between two different Arnold Standard Surface shaders, one simulating the underlying tin metal, and the other simulating the red paint that covers it.
Note that in the Ambient Occlusion node the Invert Normals property is checked, so that the effect will create a mask for the bulges and not for the creases,
And also that the Self Only property is checked so that the node will behave as a fixed object mask disregarding the proximity of other objects.
In this example the output of the Ambient Occlusion node is also process using a Remap Value node to increase it’s contrast so it will define borders between the areas.
Software: 3ds max 2019 | V-Ray Next | V-Ray next GPU
In V-Ray Next (4) for 3ds max, a new Metalness parameter has been added to the Reflect parameters of the VRayMtl material.
This allows for easy creation of realistic metal materials and also effectively enables a PBR workflow with V-Ray.
When the Metalness parameter is set to 1.0, the material becomes completely reflective, the Diffuse color controls the general reflection color, and the Reflect color (which should generally be set to white) controls the reflection color at grazing incidence angle.
The IOR parameter still controls how fast will the main reflection color (set by the Diffuse color) blend into the Reflection color, and I don’t know whether some form of complex Fresnel has been implemented or if it’s just a dielectric simple Fresnel blended over a reflective surface.